Newsletter No. 12: June, 2006
© Chris Harris. All rights reserved.
CONTENTS
1. A Two Hour Grasslands AdventureLast week, Ordell Steen, a grasslands ecologist and one of the major contributors of this Grasslands Book Project, accompanied me to a small lake in the grasslands just west of Williams Lake. We were there at the crack of dawn and our goal was to photograph Barrow’s Goldeneyes. It’s amazing what happens when you stay in one place without moving for two hours. In the next few newsletters, I’ll share with you some of the visual delights we experienced that morning.
Barrow’s Goldeneye – A peaceful moment
© Chris Harris
Shutter speed: 1/640 sec., Aperture: 10; Exposure mode: Av, Exposure compensation: +1/3; ISO: 400; Lens: 500mm; Focal length: 700mmThis is the male Goldeneye during a peaceful moment. During mating season, however, males have spectacular combats for the right to mate with certain female partners. We witnessed several of these fights, but one of the funniest things we saw was the behaviour of the losing male. Instead of accepting defeat, he would often attack the next nearest duck which was usually the less aggressive Bufflehead.
Goldeneye prepares for takeoff – Mission Bufflehead
© Chris Harris
Shutter speed: 1/1000 sec.; Aperture: 6.3; Exposure mode: Av; Exposure compensation: +1/3 ISO: 400 Lens: 500mm Focal length: 700mmOften the Goldeneye would dive and attack from below, but in this case, he took off over the water in direct pursuit of a Bufflehead.
Goldeneye prepares for attack
© Chris Harris
Shutter speed: 1/2000 sec.; Aperture: 5.6; Exposure mode: Av; Exposure compensation: +1/3; ISO: 400; Lens: 500mm; Focal length: 700mm
Look out Bufflehead! Zeroing in, the attack was imminent!
Bufflehead Nose-plant
© Chris Harris
Shutter speed: 1/2000 sec.; Aperture: 5.6; Exposure mode: Av; Exposure compensation: +1/3; ISO: 400; Lens: 500mm; Focal length: 700mm
Suffering from extreme fright and realizing the inevitable, this poor Bufflehead did a nose-plant and crash landed! One might think that on a still, early morning there might be peace and quiet on a small lake, but instead, it resembled a war zone in Iraq!
Stay tuned for more in the next newsletter!
2. Our Connection to LandscapeWhat compels us to visit foreign lands to experience a certain landscape? What makes our heart soar when we drive through the Rocky Mountains?
Douglas Fir, Big sage and Silt Bluffs
© Chris Harris
Shutter speed: 1/10 sec.; Aperture: 32; Exposure mode: Av; Exposure compensation: +1/3; ISO: 200; Lens: 70 to 200mm; Focal length: 180mm
As a person and as a photographer, I love the land. Last week in the grasslands near Farwell Canyon, I passed a landscape I have seen a hundred times before. This time, however, it was different, and it drew an immediate emotional response. As I write, I am looking at the above image on a second monitor, trying to reflect back; trying to understand what compelled me to stop and make this image. I think there were two reasons. Firstly, the light was different (it always is) providing fresh colour and texture to the sage, tree and cliff walls. Secondly, these three elements of composition expressed a personal idea of beauty. They made me feel good inside. It holds my eye and I can return to view this image time and time again. It’s a part of the amazing grasslands landscape; I hope you enjoy it too.
3. Behind the ImageI made this image two years ago with my film camera during my first year of photographing for the grasslands book project. You will notice I used the word "made" instead of "took" this image; I’ll explain. We think of photography as a means of documenting a subject, and so without much thought, we point our camera and "take" an image. Now of course there is nothing wrong with documenting a subject; it is a very important aspect of photography.
Full Moon over the Grasslands
When I photograph, I often try and think of myself as a painter; not with a grand landscape in front of me but rather with a blank canvas in a studio. In this case the painter draws on a myriad of visuals in his mind and eventually "makes" or "creates" a final painting on canvas. Likewise as a photographer, whether I am driving or lying in bed, I am continually dreaming up images in my mind that I can then go out into the landscape (my studio) and "create" or "make".
One evening I was walking over the crest of a hill when I noticed clumps of Bluebunch Wheatgrass silhouetted against the evening sky. I began to visualize an image, not with the sun, but with a full moon. With that image in mind, I set about creating the above image.
Photo Tip: To create this image I made a double exposure. I first made several images at different exposures of the silhouetted grass against the sunset sky. I then rewound the film leaving the leader out of the film canister so I could use the same roll again on the night of a full moon. Two months later on a clear full moon night, I reloaded that same roll of film. In order to enlarge the moon slightly for added effect, I photographed the moon with a 300mm lens at 1/250 @ f4.5. Because it was pitch black, only the moon was exposed on top of the previously exposed grass images. Later, on the light table, I choose the exposure I liked the most from the several I had made two months earlier.
"Full Moon over the Grasslands"
We are proud to announce that Full Moon over the Grasslands has just been released as a new limited edition print at the Chris Harris Gallery. It was featured in our Grasslands Fundraiser Newsletter #11. If you are interested in receiving one of these beautiful grassland prints, please consider being a supporter of the Grasslands Awareness Book Project. Visit Newsletter #11 for details. We deeply appreciate your support.
4. Grasslands Walks in the Cariboo-ChilcotinIn response to many requests to join us out in the grasslands, Rita has added guided walks to the list of happenings here at our home; Aspen House.
Day trips and all inclusive week-end packages with guests staying at our beautiful straw bale construction home are available. We go in groups of up to four people, heading out to several different possible destinations for a full day in the open grasslands and canyonlands.
Reservations are necessary. For information, phone the office at 250-791-6631 or 1-800-946-6622 or email us at photography@chrisharris.com and we will send you a brochure via email or the post.
Mountain Bluebird
© Chris Harris
Shutter speed: 1/250 sec.; Aperture: 20; Exposure mode: Tv; Exposure compensation: +1/3; ISO: 500; Lens: 500mm; Focal length: 700mmHave breakfast in Rita’s kitchen overlooking Hall Lake; a wetlands bird sanctuary managed by Ducks Unlimited.
Rita’s kitchen is renowned for its hospitality and sumptuous meals while local character Tom Godin is a bird expert and artist. Join them both for a closer look at the amazing range of bird life right outside our home. Bring your camera, sketch pad, scope or binoculars and prepare to be dazzled.
Reservations are necessary. For information, phone the office at 250-791-6631 or 1-800-946-6622 or email us at photography@chrisharris.com and we will give you the details or send you a brochure via email or the post.